Hargrove Exhibit Review from Vertigo
I had just finished making my way slowly more or less chronologically
through the galleries of Roman, Greek, Egyptian, and medieval European
art at the Nelson-Atkins Museum of Art in Kansas City when I turned a
corner into a tiny gallery that appeared to be an exact recreation of
someone’s study. Judging by the evidence, the time was more or less a
century ago and the occupant had clearly been a world traveler, an
obsessive collector, and something of an eccentric. The clock in the
corner was ticking and it appeared that someone had only moments before
slid the chair back from the desk with its ancient typewriter and had
walked out into the museum. The introductory panel told me I was
looking at “The Magnificent Collection of Gilbert G. Hargrove.”
Scott Heffley Interview by Alice Thorson
As the senior conservator of paintings at the Nelson-Atkins
Museum of Art, Scott Heffley has restored such masterworks as
Rembrandt’s “Young Man in a Black Beret” (1666) and a large painting by
noted American still life painter Severin Roesen.
In his spare time, Heffley is also an insatiable collector of “things of beauty and curiosity.”
Roughly 50 works from Heffley’s collection are displayed as part of “The Magnificent Collection of Gilbert G. Hargrove,” a show of odd and wondrous things based on the story of a fictional 19th century adventurer, on view in gallery P10 through March 24.
In his spare time, Heffley is also an insatiable collector of “things of beauty and curiosity.”
Roughly 50 works from Heffley’s collection are displayed as part of “The Magnificent Collection of Gilbert G. Hargrove,” a show of odd and wondrous things based on the story of a fictional 19th century adventurer, on view in gallery P10 through March 24.
Subscribe to:
Posts (Atom)